1 00:00:00,480 --> 00:00:05,120 Suffice to say that I am Juan Pablo Castel, the painter who killed Mar�a Iribarne. 2 00:00:05,720 --> 00:00:07,820 Why am I writing this confession? 3 00:00:08,060 --> 00:00:11,120 I hope someone will come along who understands me. 4 00:00:11,120 --> 00:00:13,120 I�ve always been a solitary person. 5 00:00:13,860 --> 00:00:16,400 There existed one person who could understand me, 6 00:00:16,860 --> 00:00:19,160 but she was precisely the person I killed. 7 00:00:19,540 --> 00:00:21,880 No one knows how I met Mar�a Iribarne, 8 00:00:21,880 --> 00:00:27,180 the nature of our relationship, and what gave me the idea of killing her. 9 00:00:27,580 --> 00:00:32,260 At the 1946 Autumn Salon, I exhibited a painting entitled "Maternity." 10 00:00:32,460 --> 00:00:38,740 It was in the style of my earlier paintings, which critics described as architectural. 11 00:00:38,980 --> 00:00:44,060 In the upper left, through a window one could see a woman looking at the sea. 12 00:00:44,480 --> 00:00:48,980 No one paid attention to this scene, nor seemed to understand how crucial it was. 13 00:00:49,160 --> 00:00:50,800 Except for one woman. 14 00:00:51,480 --> 00:00:53,640 That�s how I met Mar�a Iribarne. 15 00:01:03,700 --> 00:01:05,540 Then I said... 16 00:01:10,180 --> 00:01:11,640 Pardon me. 17 00:01:11,820 --> 00:01:14,700 Come with me, I'm going to take some photographs. 18 00:01:16,740 --> 00:01:19,260 She was with me, but I don�t know where she went. 19 00:01:19,260 --> 00:01:21,540 Join us, Mr. Castel. 20 00:01:23,860 --> 00:01:27,140 Look up. Look at me, please. 21 00:02:34,440 --> 00:02:38,720 Until they closed the exposition, I returned every day hoping to run into her. 22 00:02:39,120 --> 00:02:40,460 But she didn't come back. 23 00:02:50,480 --> 00:02:52,120 Leave it there, please. 24 00:02:56,820 --> 00:02:58,680 Here. - Thank you. 25 00:02:59,820 --> 00:03:05,280 The Tunnel, based on the novel by Ernesto Sabato 26 00:04:43,840 --> 00:04:46,740 For the next few months I only thought of her. 27 00:04:47,140 --> 00:04:51,580 How could I find an unknown woman in a city like Buenos Aires? 28 00:05:03,040 --> 00:05:06,000 That photograph proved she was real, 29 00:05:06,200 --> 00:05:09,120 and not a figment of my imagination, or my desire. 30 00:05:20,600 --> 00:05:22,320 How much time passed? 31 00:05:22,980 --> 00:05:25,740 I was incapable of painting for months. 32 00:05:26,100 --> 00:05:28,280 I was obsessed with her image. 33 00:05:30,200 --> 00:05:31,860 Until the day I ran into her. 34 00:06:15,520 --> 00:06:19,240 Excuse me, is this the metro entrance? - Yes, of course. 35 00:06:20,980 --> 00:06:22,540 Why are you blushing? 36 00:06:23,300 --> 00:06:25,520 You�re blushing because you recognize me, 37 00:06:27,460 --> 00:06:30,500 and you think that it�s by chance, but it isn�t. 38 00:06:30,780 --> 00:06:36,900 Because chance doesn�t exist. Actually, I�ve been thinking about you a lot. 39 00:06:37,340 --> 00:06:40,200 Today I saw you on the street and followed you here. 40 00:06:40,760 --> 00:06:45,360 I want to ask you something important about the scene by the window. 41 00:06:46,760 --> 00:06:47,900 What window? 42 00:06:49,020 --> 00:06:51,140 You�re telling me you don�t remember? 43 00:06:55,500 --> 00:06:58,220 Well, I believe I was mistaken. 44 00:07:00,200 --> 00:07:02,500 I�m sorry. Goodbye. 45 00:07:07,120 --> 00:07:08,280 Wait! 46 00:07:11,760 --> 00:07:12,680 Forgive me. 47 00:07:14,140 --> 00:07:15,280 Forgive my stupidity. 48 00:07:16,880 --> 00:07:18,320 You surprised me. 49 00:07:19,880 --> 00:07:22,820 I didn�t realize you were asking about the scene in the painting. 50 00:07:23,160 --> 00:07:24,760 You remember my painting? 51 00:07:27,980 --> 00:07:29,820 I think about it constantly. 52 00:09:11,720 --> 00:09:17,700 The idea of losing her again, possibly forever, made me dizzy. 53 00:09:24,420 --> 00:09:27,360 The next day, I went back to the same place. 54 00:09:35,000 --> 00:09:36,360 Come with me. 55 00:09:37,620 --> 00:09:41,420 Where are you taking me? - There�s a lot I want to say to you. 56 00:09:46,020 --> 00:09:47,840 Why did you run away from me? 57 00:09:51,040 --> 00:09:52,200 I don't know. 58 00:09:53,700 --> 00:09:55,500 but I also want to run away now. 59 00:09:56,340 --> 00:09:58,180 Promise me something. 60 00:09:58,960 --> 00:10:00,280 Promise me, 61 00:10:01,720 --> 00:10:03,620 that you won�t run away again. 62 00:10:05,920 --> 00:10:07,260 I need you. 63 00:10:09,100 --> 00:10:11,860 Please, believe me, I need you. 64 00:10:12,780 --> 00:10:14,160 I need to be with you. 65 00:10:15,220 --> 00:10:17,980 You�re a great artist. Why would you need me? 66 00:10:18,940 --> 00:10:23,360 At the bottom of my heart, I believe you're very important to me. 67 00:10:24,300 --> 00:10:29,960 For what I have to do, even though I still don�t know what that is. 68 00:10:31,720 --> 00:10:34,140 But it has to do with the scene by the window. 69 00:10:34,560 --> 00:10:36,140 I�m no art critic. 70 00:10:36,320 --> 00:10:39,360 Critics? Don�t mention those cretins. 71 00:10:39,480 --> 00:10:41,920 You were interested at the exposition. 72 00:10:42,760 --> 00:10:46,460 The scene by the window is my most personal work, 73 00:10:46,460 --> 00:10:48,940 the most personal work I�ve ever done, 74 00:10:48,940 --> 00:10:52,940 and not one of those charlatans noticed its significance. 75 00:10:56,080 --> 00:11:00,180 You're the only person who was interested in it, and you're not a critic. 76 00:11:02,440 --> 00:11:05,560 There was another person who paid attention to it, 77 00:11:05,960 --> 00:11:11,240 but negatively. He was scared, almost disgusted by the scene. 78 00:11:13,460 --> 00:11:15,680 Might I not have the same opinion? 79 00:11:16,100 --> 00:11:17,200 What opinion? 80 00:11:18,120 --> 00:11:19,740 The same as that person. 81 00:11:22,480 --> 00:11:23,360 No. 82 00:11:25,260 --> 00:11:26,920 You think like me. 83 00:11:27,360 --> 00:11:29,220 And what do you think of it? 84 00:11:29,680 --> 00:11:31,220 The scene by the window... 85 00:11:33,080 --> 00:11:34,260 frightens me. 86 00:11:35,480 --> 00:11:37,120 but it represents me. 87 00:11:37,480 --> 00:11:40,460 That is to say, it is me. 88 00:11:40,860 --> 00:11:44,760 Although the message isn't very clear. - A message of despair? 89 00:11:45,500 --> 00:11:49,900 Yes, could be. A message of despair. 90 00:11:50,180 --> 00:11:52,120 You see how we think alike? 91 00:11:53,380 --> 00:11:56,320 Do you think a message of despair is commendable? 92 00:11:57,040 --> 00:11:58,500 What do you think? 93 00:12:03,480 --> 00:12:06,440 The word �commendable� isn�t relevant here. 94 00:12:08,380 --> 00:12:10,260 What�s most important is truth. 95 00:12:11,080 --> 00:12:13,500 Do you believe that scene is truthful? 96 00:12:14,540 --> 00:12:15,740 I believe that it is. 97 00:12:18,000 --> 00:12:19,780 When will I see you again? 98 00:12:24,780 --> 00:12:26,260 Whenever you want. 99 00:12:29,980 --> 00:12:31,980 Though I don't know what you'll get out of it. 100 00:12:34,160 --> 00:12:36,820 I hurt everyone who comes close to me. 101 00:12:38,580 --> 00:12:41,360 I hurt everyone who comes close to me. 102 00:12:42,880 --> 00:12:45,940 I hurt everyone who comes close to me. 103 00:13:10,580 --> 00:13:12,760 Hello? - Miss Iribarne, please. 104 00:13:12,880 --> 00:13:13,660 What? 105 00:13:15,060 --> 00:13:18,040 Does a Miss Iribarne live there? I want to talk to her. 106 00:13:18,600 --> 00:13:21,320 Ah, yes, one moment. I'll see if she's here. 107 00:13:27,880 --> 00:13:30,960 Hello? - Mar�a, I need to see you� 108 00:13:32,600 --> 00:13:36,200 I need to see you again. I can�t stop thinking about you. 109 00:13:37,940 --> 00:13:42,100 Hello? Are you still there? - Wait a moment. 110 00:13:48,520 --> 00:13:50,640 I can�t talk. - Why? 111 00:13:50,860 --> 00:13:53,300 There are too many people around. 112 00:13:53,880 --> 00:13:56,820 Now can you? What happened? - I closed the door. 113 00:13:56,820 --> 00:13:59,880 They know not to disturb me when I close the door. 114 00:14:00,240 --> 00:14:02,940 Listen, Mar�a. I need to see you. 115 00:14:03,100 --> 00:14:06,720 I know today you said we'd see each other again, 116 00:14:07,080 --> 00:14:08,980 but that's not enough. 117 00:14:09,520 --> 00:14:14,600 I didn�t dare propose to see you right away - tomorrow for instance. 118 00:14:15,040 --> 00:14:19,180 All I want is to be by your side. I didn't want you to leave. 119 00:14:21,620 --> 00:14:23,800 I haven't done anything but think of you. 120 00:14:23,900 --> 00:14:26,720 I have to go now. Call me tomorrow. 121 00:14:26,980 --> 00:14:30,940 I went for a walk and discovered something very strange had happened, 122 00:14:31,200 --> 00:14:32,720 I felt happy. 123 00:14:33,080 --> 00:14:35,940 Hello? Miss Iribarne? 124 00:14:35,940 --> 00:14:39,180 She's not in. She went to the country this morning. 125 00:14:39,520 --> 00:14:42,760 Sorry, what did you say? She went to the country? 126 00:14:42,840 --> 00:14:46,460 - Yes, sir. Are you Mr. Castel? - Yes, I'm Castel. 127 00:14:46,460 --> 00:14:50,220 She left a letter for you. She said she didn't have your address. 128 00:15:13,140 --> 00:15:15,720 Good morning. My name is Juan Pablo Castel. 129 00:15:15,720 --> 00:15:19,700 I'm here for a letter from Mar�a Iribarne. - Follow me, please. 130 00:15:41,140 --> 00:15:42,200 Please wait here. 131 00:16:26,880 --> 00:16:28,400 You must be Castel. 132 00:16:33,500 --> 00:16:35,300 Yes, Mr. Iribarne. 133 00:16:46,300 --> 00:16:49,700 My name isn't Iribarne. And don't call me 'Mister.' 134 00:16:50,560 --> 00:16:53,180 My name is Allende. I'm Mar�a's husband. 135 00:16:54,120 --> 00:16:57,260 She always uses her maiden name. 136 00:16:57,740 --> 00:17:00,940 Mar�a has told me a lot about your painting. 137 00:17:01,320 --> 00:17:06,300 Because I'm only recently blind, I can still imagine things well. 138 00:17:08,720 --> 00:17:11,120 Here's the letter. 139 00:17:17,300 --> 00:17:19,720 Go on, read it. 140 00:17:20,260 --> 00:17:25,120 Though being from Mar�a, it shouldn't be too urgent. 141 00:17:26,100 --> 00:17:29,860 No thank you. - Please sit, Castel. 142 00:17:38,520 --> 00:17:40,960 I also think of you. 143 00:17:41,460 --> 00:17:44,760 Anything urgent? - No, nothing urgent. 144 00:17:46,600 --> 00:17:48,440 Maria has always been like that. 145 00:17:49,420 --> 00:17:53,660 Many people confuse their impulses with priorities. 146 00:17:54,680 --> 00:17:59,720 Mar�a does things that don�t change the situation at all. 147 00:18:00,440 --> 00:18:03,000 I don�t know if you know what I mean. 148 00:18:03,360 --> 00:18:06,580 It�s as if someone were in the desert, 149 00:18:06,940 --> 00:18:10,160 running rapidly from dune to dune. 150 00:18:10,340 --> 00:18:12,660 The speed isn�t important, 151 00:18:12,940 --> 00:18:16,020 because the landscape will always be the same. 152 00:18:17,540 --> 00:18:19,560 No, that's not quite right. 153 00:18:20,100 --> 00:18:22,760 I�m not good with metaphors. 154 00:18:26,300 --> 00:18:27,900 Today for example, 155 00:18:28,080 --> 00:18:32,880 she woke up early and said she was going to the country house. 156 00:18:33,680 --> 00:18:36,840 What country house? - Ours, my grandfather's. 157 00:18:37,360 --> 00:18:40,440 But now it belongs to my cousin Hunter. 158 00:18:41,200 --> 00:18:42,740 Do you know him? 159 00:18:43,180 --> 00:18:47,060 Hunter, the architect? - That's right. 160 00:18:49,500 --> 00:18:50,920 I've heard of him. 161 00:18:53,920 --> 00:18:55,980 I have to go. - Come on. 162 00:18:57,460 --> 00:18:59,000 I'm sorry. 163 00:19:01,480 --> 00:19:03,840 I hope that we meet again. 164 00:19:06,160 --> 00:19:07,520 Of course. 165 00:19:08,520 --> 00:19:12,040 What kind of abominable comedy is this? 166 00:19:14,220 --> 00:19:16,380 I also think of you. 167 00:19:19,140 --> 00:19:22,800 I had to accept that if Mar�a wanted me to go to her house, 168 00:19:22,920 --> 00:19:26,060 it was so I'd have to face the fact that she had a husband. 169 00:19:26,520 --> 00:19:29,140 But why did she do it in such a cruel way? 170 00:19:29,360 --> 00:19:32,260 It was a clear provocation. 171 00:19:32,420 --> 00:19:36,960 Mar�a wanted to continue our relationship in the most dangerous manner. 172 00:19:48,180 --> 00:19:49,900 What did you mean, Mar�a? 173 00:19:50,340 --> 00:19:53,300 I'm desperate. Write to me. 174 00:20:21,040 --> 00:20:23,340 I spent three very strange days. 175 00:20:23,700 --> 00:20:27,480 The sea. The beach. The roads. 176 00:20:27,720 --> 00:20:30,400 They brought me memories of other times, 177 00:20:30,900 --> 00:20:34,140 not only images, but also voices and shouts. 178 00:20:34,700 --> 00:20:40,160 It�s strange, but to live consists in constructing future memories. 179 00:20:40,440 --> 00:20:43,540 I look ahead, and I see your face. 180 00:21:05,720 --> 00:21:08,320 Dear Mar�a, 181 00:21:11,120 --> 00:21:12,480 I love you. 182 00:21:12,620 --> 00:21:16,800 Two days later, I finally received a response with only these words: 183 00:21:17,140 --> 00:21:19,820 I�m afraid of hurting you. 184 00:21:32,800 --> 00:21:34,900 It doesn't matter what you can do for me. 185 00:21:35,120 --> 00:21:38,280 If I can�t love you, I will die. 186 00:21:38,420 --> 00:21:42,500 Every second that passes without seeing you is an interminable torture. 187 00:22:09,020 --> 00:22:11,000 Hello? - It�s me, Mar�a. 188 00:22:11,200 --> 00:22:13,320 I just got back to Buenos Aires. 189 00:22:14,660 --> 00:22:18,500 Mar�a, I want to see you right away. - All right. Where? 190 00:22:20,600 --> 00:22:22,300 I'll wait at the park in Palermo. 191 00:22:22,520 --> 00:22:25,420 I'd prefer Recoleta. I'll be there at 9. 192 00:22:38,940 --> 00:22:41,260 Why did you go to the country? 193 00:22:41,980 --> 00:22:46,240 Why did you leave me that letter? Why didn't you tell me you're married? 194 00:22:46,520 --> 00:22:49,160 Why did you leave me alone? 195 00:22:52,380 --> 00:22:56,940 Juan Pablo, you're hurting me. - Why don�t you answer me? 196 00:22:58,460 --> 00:23:00,060 Why? 197 00:23:00,380 --> 00:23:03,000 Does everything need to have an answer? 198 00:23:04,700 --> 00:23:06,600 Let�s not talk about me. 199 00:23:07,000 --> 00:23:11,020 Let�s talk about you and your work. About what's on your mind. 200 00:23:12,400 --> 00:23:14,780 All I�ve done is think about your painting. 201 00:23:15,280 --> 00:23:18,800 Have you been painting? - I want to talk about us, not about myself. 202 00:23:18,800 --> 00:23:21,560 But... - Listen. I need to know if you love me. 203 00:23:21,700 --> 00:23:25,600 I need to know. That and nothing else. 204 00:23:42,540 --> 00:23:44,500 Then you don�t love me. 205 00:23:45,040 --> 00:23:46,340 Is that true? 206 00:23:49,500 --> 00:23:51,120 Of course I love you. 207 00:23:53,600 --> 00:23:57,520 Why must one say certain things? - But how do you love me? 208 00:23:58,120 --> 00:24:02,080 I have to know. I need to know. 209 00:24:30,220 --> 00:24:32,020 Juan Pablo, it�s very late. 210 00:24:32,360 --> 00:24:34,880 Tomorrow we can meet again. - No. 211 00:24:35,160 --> 00:24:37,400 Every time you say that I lose you. 212 00:24:37,500 --> 00:24:39,620 Every time? - Listen. 213 00:24:40,260 --> 00:24:46,400 Listen, I've spent my whole life losing you. 214 00:24:48,940 --> 00:24:51,760 But tonight I won't lose you. 215 00:24:58,820 --> 00:25:02,480 One moment, I have a match. 216 00:25:16,920 --> 00:25:18,360 You're laughing. 217 00:25:19,940 --> 00:25:21,440 Why are you laughing? 218 00:25:22,040 --> 00:25:23,660 Why are you laughing? 219 00:25:25,200 --> 00:25:26,780 Wait a moment. 220 00:25:27,920 --> 00:25:29,140 Wait. 221 00:25:32,960 --> 00:25:35,440 Are you laughing at me? - No, I'm laughing... 222 00:25:35,540 --> 00:25:38,300 - At what? - At us. 223 00:25:39,060 --> 00:25:41,400 Be careful, you'll burn yourself again. 224 00:25:48,420 --> 00:25:51,720 They're going to hear us. - It doesn't matter. 225 00:29:37,660 --> 00:29:41,340 If you knew how much time I�ve spent here thinking of you. 226 00:29:44,400 --> 00:29:47,100 Sometimes I've had the feeling that� 227 00:29:47,520 --> 00:29:52,960 we've been living in two parallel tunnels. 228 00:29:53,260 --> 00:29:57,200 One next to the other until at last we met. 229 00:29:57,440 --> 00:29:58,700 Isn't that so? 230 00:30:00,080 --> 00:30:07,220 In front of my painting, as if it were a key just for you. 231 00:30:08,280 --> 00:30:13,400 A secret code to tell you that I was looking for you. 232 00:30:16,840 --> 00:30:18,400 Now you have found me. 233 00:31:02,940 --> 00:31:04,260 No, no. 234 00:31:05,240 --> 00:31:08,280 Don�t look at those paintings. They�re not finished yet. 235 00:31:08,400 --> 00:31:10,500 Why haven't you finished them? 236 00:31:10,740 --> 00:31:12,620 I needed you. 237 00:31:43,660 --> 00:31:44,680 How strange. 238 00:31:46,100 --> 00:31:47,720 What's strange? 239 00:31:49,280 --> 00:31:51,320 I have the feeling... 240 00:31:52,240 --> 00:31:55,920 that we've been living together before now. 241 00:31:56,240 --> 00:31:57,460 Me too. 242 00:32:00,560 --> 00:32:03,500 I'm afraid. - Afraid of me? 243 00:32:04,580 --> 00:32:05,720 No. 244 00:32:06,880 --> 00:32:08,680 Afraid for us both, Juan Pablo. 245 00:32:16,620 --> 00:32:19,820 For a month we saw each other almost every day. 246 00:32:20,280 --> 00:32:23,660 A time that was both marvelous and horrible. 247 00:32:24,360 --> 00:32:29,640 My feelings vacillated between the purest love and the most relentless hatred. 248 00:32:31,000 --> 00:32:33,820 At times she seemed like a modest woman. 249 00:32:34,560 --> 00:32:37,980 And suddenly, it occurred to me that she was a woman like any other. 250 00:32:38,240 --> 00:32:42,640 Where? How? Who? When? 251 00:32:45,100 --> 00:32:48,960 Sometimes I felt like she invaded my intimacy 252 00:32:49,180 --> 00:32:54,720 and I took refuge in my room to ruminate on my apprehensions. 253 00:33:08,320 --> 00:33:09,440 Mar�a. 254 00:33:10,800 --> 00:33:15,080 Why do you call yourself Miss Iribarne instead of Mrs. Allende? 255 00:33:17,440 --> 00:33:20,860 How silly you are. How important can that be? 256 00:33:21,480 --> 00:33:23,080 For me, very. 257 00:33:28,180 --> 00:33:29,820 It's a family tradition. 258 00:33:32,180 --> 00:33:34,600 The first time that I called your house... 259 00:33:35,340 --> 00:33:40,680 and asked for Miss Iribarne, the maid hesitated before responding. 260 00:33:41,520 --> 00:33:42,980 Maybe you imagined it. 261 00:33:44,100 --> 00:33:47,060 Could be, but why didn�t she correct me? 262 00:33:48,380 --> 00:33:52,080 I just explained it�s our tradition, as the maid knows very well. 263 00:33:52,260 --> 00:33:54,860 Everyone calls me Mar�a Iribarne. 264 00:33:56,480 --> 00:33:59,040 Mar�a Iribarne seems reasonable to me, but� 265 00:34:00,120 --> 00:34:05,260 It's less reasonable that the maid wasn't surprised to hear you called Miss. 266 00:34:06,580 --> 00:34:12,640 So that's what you're getting at. It's not usual, maybe that's why she hesitated. 267 00:34:13,080 --> 00:34:16,840 Yes, she hesitated. But she didn't correct me. 268 00:34:17,380 --> 00:34:18,420 Who? 269 00:34:18,860 --> 00:34:21,840 The maid. She didn�t correct me when I said �Miss.� 270 00:34:22,600 --> 00:34:27,320 Juan Pablo, it�s not important. I don't know what you're trying to prove. 271 00:34:27,900 --> 00:34:32,860 That it probably wasn't the first time someone called you Miss. 272 00:34:32,960 --> 00:34:36,140 Otherwise, logically she would have corrected me. 273 00:34:36,220 --> 00:34:38,280 You're incredible. 274 00:34:38,760 --> 00:34:44,600 When you got on the phone, your voice was neutral, like a clerk's. 275 00:34:44,660 --> 00:34:47,560 until you told me you had closed the door. 276 00:34:47,660 --> 00:34:51,140 Then you resumed talking in your tender voice, but why the change? 277 00:34:51,480 --> 00:34:54,700 How could I talk to you tenderly in front of the maid? 278 00:34:54,880 --> 00:35:00,660 Fair enough, but you said "They know not to disturb me when I close the door." 279 00:35:00,960 --> 00:35:06,120 You couldn't have been referring to me. It was the first time I called you. 280 00:35:06,260 --> 00:35:10,080 Nor Hunter, who you can see whenever you want at the country house. 281 00:35:12,020 --> 00:35:15,380 It seems evident to me that other people call you. 282 00:35:15,380 --> 00:35:20,020 That�s right, people who call you, or called you. 283 00:35:20,220 --> 00:35:21,620 Isn't that so, Mar�a? 284 00:35:24,960 --> 00:35:27,660 You could answer me instead of standing around. 285 00:35:30,400 --> 00:35:33,420 Of course other people call me. 286 00:35:34,440 --> 00:35:37,800 Cousins, friends of the family, my mother� 287 00:35:37,800 --> 00:35:41,380 For those kinds of conversation, there's no need to hide yourself away. 288 00:35:41,460 --> 00:35:45,180 How dare you say that I hide? - Hold on, don�t get angry, 289 00:35:45,340 --> 00:35:50,480 All I want to say is that you once talked about a certain Richard, 290 00:35:50,900 --> 00:35:54,160 who wasn't your cousin, or a friend of the family, 291 00:35:54,940 --> 00:35:57,340 and wasn�t your mother either. 292 00:36:39,460 --> 00:36:40,980 Poor Richard. 293 00:36:41,740 --> 00:36:43,480 Why 'poor?' 294 00:36:44,880 --> 00:36:47,560 No one knows it, but he committed suicide. 295 00:36:49,100 --> 00:36:51,840 And in a way, I�m partly to blame. 296 00:36:53,180 --> 00:36:56,240 He wrote me some dreadful letters, 297 00:36:56,560 --> 00:36:58,780 but I could never do anything for him. 298 00:36:58,960 --> 00:37:03,120 - I'd like to see those letters. - Why? He's dead. 299 00:37:03,960 --> 00:37:06,380 I don't care. I'd like to see them. 300 00:37:06,880 --> 00:37:08,860 I burned them all. 301 00:37:09,340 --> 00:37:13,560 You could have started with that instead of telling me he's dead. 302 00:37:14,180 --> 00:37:17,380 It�s always the same with you. 303 00:37:17,600 --> 00:37:20,960 I don�t understand why you're so mysterious with me. 304 00:37:24,600 --> 00:37:28,040 Why did you burn the letters, anyway? 305 00:37:28,340 --> 00:37:30,520 Well, that�s if you burned them. 306 00:37:30,900 --> 00:37:34,400 They must've been very compromising for you to have done that. 307 00:37:34,840 --> 00:37:37,840 I didn�t burn them because they were compromising, 308 00:37:38,220 --> 00:37:42,140 but because they were sad. They made me depressed. 309 00:37:43,520 --> 00:37:45,020 Why? 310 00:37:47,280 --> 00:37:48,860 I don't know. 311 00:37:50,760 --> 00:37:53,680 Richard was very depressed. 312 00:37:54,700 --> 00:37:56,060 Just like you. 313 00:38:03,580 --> 00:38:07,000 Were you in love with him? 314 00:38:08,540 --> 00:38:11,220 What strange ideas you have. 315 00:38:11,560 --> 00:38:15,080 Strange ideas? What strange ideas? 316 00:38:15,180 --> 00:38:19,940 You felt obligated to burn letters from a man who killed himself, 317 00:38:20,000 --> 00:38:22,300 and I have strange ideas. Why strange? 318 00:38:22,300 --> 00:38:24,540 Because I was never in love with him. 319 00:38:24,780 --> 00:38:26,320 Why not? 320 00:38:26,640 --> 00:38:29,180 I don't know. Maybe he wasn't my type. 321 00:38:29,280 --> 00:38:31,380 You said he was like me. 322 00:38:31,420 --> 00:38:35,960 I said in a certain way he resembled you, not that you were identical. 323 00:38:37,440 --> 00:38:39,460 He was a man incapable of creating anything. 324 00:38:40,460 --> 00:38:43,280 Very intelligent, but in a destructive way. 325 00:38:43,720 --> 00:38:46,780 A little like your dark side. - My dark side? 326 00:38:48,640 --> 00:38:52,300 That part of you that feels apprehension, fear, 327 00:38:52,920 --> 00:38:55,940 almost disgust before that scene by the window. 328 00:38:58,600 --> 00:39:02,080 If you weren�t in love with him, why did you burn his letters? 329 00:39:03,760 --> 00:39:06,180 I told you I burned them because they depressed me. 330 00:39:06,220 --> 00:39:09,320 You could have kept them without reading them again. 331 00:39:09,400 --> 00:39:14,620 But if you burned them, it means you read them more than once. 332 00:39:14,780 --> 00:39:18,060 There must've been a reason, or you must've found him attractive. 333 00:39:18,060 --> 00:39:20,060 I didn�t say he wasn�t attractive to me. 334 00:39:20,160 --> 00:39:22,540 Of course you did. You said he wasn�t your type. 335 00:39:22,600 --> 00:39:27,120 You can�t expect me to be capable of explaining all my feelings. 336 00:39:37,660 --> 00:39:41,080 Sometimes, I find the idea of death attractive. 337 00:39:43,520 --> 00:39:45,400 I was attracted to Richard. 338 00:39:46,640 --> 00:39:49,220 In the same way I�m attracted to death. 339 00:39:50,520 --> 00:39:52,060 Or maybe the idea... 340 00:39:53,840 --> 00:39:56,560 of disappearing forever. 341 00:40:11,540 --> 00:40:13,020 I want to sleep with you. 342 00:40:22,740 --> 00:40:26,300 It tortured me, and even today it tortures me. 343 00:40:26,900 --> 00:40:31,660 One word that escaped her lips, in a moment of physical pleasure. 344 00:42:10,220 --> 00:42:11,660 Want some? 345 00:42:20,460 --> 00:42:21,840 Mar�a... 346 00:42:25,500 --> 00:42:30,700 It�s impossible for people to realize you�re married. You don�t wear a ring. 347 00:42:31,080 --> 00:42:32,260 No. 348 00:42:35,160 --> 00:42:37,540 You don�t ever wear it? 349 00:42:38,140 --> 00:42:40,280 I don�t know. Usually not. 350 00:42:42,860 --> 00:42:46,180 Do you leave it at home? Where do you keep it? 351 00:42:46,880 --> 00:42:49,220 Juan Pablo, why is that important? 352 00:42:50,560 --> 00:42:55,500 The truth is important, Mar�a. - How important is this truth? 353 00:42:56,160 --> 00:42:58,020 Are you crazy? 354 00:42:58,880 --> 00:43:04,720 It�s importance because it�s the truth. It�s the truth about you and me. 355 00:43:04,860 --> 00:43:09,460 Why don�t you wear your ring? Why don�t you want people to know you�re married? 356 00:43:09,580 --> 00:43:13,400 If you don�t want people to know the truth, aren't you lying? 357 00:43:13,600 --> 00:43:16,320 What isn't true might not be a lie. 358 00:43:29,560 --> 00:43:31,480 Do you understand what I'm saying? 359 00:43:32,900 --> 00:43:34,440 I think... 360 00:43:36,960 --> 00:43:40,880 If I ever find out you've deceived me, I'll kill you. 361 00:43:51,080 --> 00:43:54,320 Tell me, do you wear your ring at home? 362 00:43:54,480 --> 00:43:58,140 Do you wear your ring at home? Answer me, yes or no? 363 00:44:10,080 --> 00:44:13,740 Do you know what people think of a woman who does that? 364 00:44:14,020 --> 00:44:18,360 That you want men to think you're available. That you're a whore. 365 00:44:19,640 --> 00:44:22,240 Mar�a. Mar�a! 366 00:44:39,700 --> 00:44:41,180 Mar�a! 367 00:44:41,720 --> 00:44:44,480 I didn't say that you were a whore. 368 00:44:50,440 --> 00:44:54,100 I didn't call you a whore. I only said people might think that. 369 00:44:54,100 --> 00:44:56,760 But I'm not those people. I'm just... 370 00:44:58,080 --> 00:45:01,640 I'm sorry. Forgive me. It's just that... 371 00:45:06,600 --> 00:45:07,680 My God... 372 00:45:07,900 --> 00:45:10,480 I don't know what came over me. 373 00:45:11,080 --> 00:45:12,900 I didn't mean to say that. 374 00:45:15,400 --> 00:45:17,680 I know that I've hurt and offended you. 375 00:45:19,180 --> 00:45:21,400 I'm going crazy. 376 00:45:25,800 --> 00:45:29,460 Just the thought of you leaving for ever drives me crazy. 377 00:45:31,600 --> 00:45:35,600 You disappear from my life, and everything ends. 378 00:45:36,340 --> 00:45:40,460 I don't know anything about you, or what you do outside. 379 00:45:40,760 --> 00:45:43,600 Or the lies you're forced to tell when you leave. 380 00:45:43,800 --> 00:45:45,480 No, no, no. 381 00:45:45,780 --> 00:45:49,640 I don't mean to say that you're lying. That's not what I mean. 382 00:45:52,200 --> 00:45:55,500 Forgive me. Forgive me, please. 383 00:45:58,180 --> 00:46:01,780 I love you so much. I love you. 384 00:46:23,880 --> 00:46:26,060 I love you. 385 00:47:19,480 --> 00:47:21,360 What are you doing? 386 00:47:21,740 --> 00:47:24,560 Can't you see? I'm shaving. 387 00:47:27,740 --> 00:47:29,980 We can't keep hurting each other. 388 00:47:32,840 --> 00:47:34,820 Don't torture yourself. 389 00:47:35,280 --> 00:47:37,920 I've forgiven you. I know you didn't mean it. 390 00:47:38,460 --> 00:47:39,580 Of course not. 391 00:47:40,840 --> 00:47:44,420 If I had meant it, then of course any woman... 392 00:47:45,700 --> 00:47:48,600 even a whore, would be offended. 393 00:47:48,720 --> 00:47:51,460 and not smile right away, like you did. 394 00:47:51,720 --> 00:47:57,440 Unless there were truth in the accusation. And so, you would have had to smile. 395 00:47:59,240 --> 00:48:00,500 Where are you going? 396 00:48:03,120 --> 00:48:04,220 What are you doing? 397 00:49:00,140 --> 00:49:03,180 I'd like to be with you on one of those boats. 398 00:49:07,740 --> 00:49:09,720 Go to New York. 399 00:49:10,460 --> 00:49:12,860 Or Geneva. Or Venice. 400 00:49:13,440 --> 00:49:14,980 That would be a dream come true. 401 00:49:32,880 --> 00:49:35,880 You're the first man that I've truly loved. 402 00:49:39,680 --> 00:49:42,340 Come with me. Let's go. 403 00:49:42,820 --> 00:49:47,040 Right now. We can be on the first boat that leaves tonight. 404 00:49:47,380 --> 00:49:50,080 We can't think only of ourselves. 405 00:49:51,680 --> 00:49:53,840 The world is very complicated, Juan Pablo. 406 00:49:54,480 --> 00:49:56,340 What are you trying to say? 407 00:49:56,640 --> 00:49:59,380 That happiness is always surrounded by pain. 408 00:50:28,420 --> 00:50:30,120 What are you thinking about? 409 00:50:33,120 --> 00:50:34,600 About you. 410 00:50:35,500 --> 00:50:37,440 And your husband. 411 00:50:44,200 --> 00:50:46,080 Why did you marry Allende? 412 00:51:01,240 --> 00:51:02,820 I loved him. 413 00:51:03,700 --> 00:51:05,740 And you don't anymore? 414 00:51:06,380 --> 00:51:08,960 I didn't say that. 415 00:51:09,460 --> 00:51:12,660 You said 'I loved him,' not that 'I love him.' 416 00:51:15,000 --> 00:51:19,620 You obsess over every word, and twist them however you want. 417 00:51:21,460 --> 00:51:26,860 When I said I married him because I loved him, I didn't mean I don't love him now. 418 00:51:28,040 --> 00:51:29,680 Then you still love him. 419 00:51:33,320 --> 00:51:35,040 What do you mean by that? 420 00:51:36,000 --> 00:51:39,420 You said I was the first man that you'd truly loved. 421 00:51:41,680 --> 00:51:45,440 There are many ways to love. - Tell me them. 422 00:51:47,740 --> 00:51:50,920 You don't think I kept loving him after we married? 423 00:51:51,380 --> 00:51:55,520 I don't know. That's exactly what I want to know. 424 00:51:56,460 --> 00:52:00,240 How do you love him? What do you call love? 425 00:52:03,420 --> 00:52:04,740 Juan Pablo. 426 00:52:06,740 --> 00:52:10,480 We've talked about that already. I've told you, and explained... 427 00:52:10,500 --> 00:52:15,880 Yes, you've told me, but you've explained nothing. 428 00:52:19,240 --> 00:52:21,700 My husband is a great companion. 429 00:52:23,980 --> 00:52:26,060 I love him like a brother. 430 00:52:27,120 --> 00:52:28,560 I attend to him. 431 00:52:29,880 --> 00:52:32,100 I feel tenderly towards him. 432 00:52:33,460 --> 00:52:34,980 I admire him very much. 433 00:52:38,020 --> 00:52:40,700 I think he's a superior person to me. 434 00:52:41,900 --> 00:52:47,040 At his side I feel... trivial. I don't know what else to say. 435 00:52:49,360 --> 00:52:52,680 Do you sleep with him? Talk. 436 00:52:54,480 --> 00:52:57,020 Do I have to answer that? - Yes. 437 00:52:58,660 --> 00:53:02,500 You have no right to interrogate me. - Answer yes or no. 438 00:53:04,780 --> 00:53:09,060 The answer isn't that simple. - It's very simple. Answer yes or no! 439 00:53:11,660 --> 00:53:13,120 All right. Yes 440 00:53:15,360 --> 00:53:18,140 Then you still desire him physically. 441 00:53:19,540 --> 00:53:22,720 I said I sleep with him, not that I desire him. 442 00:53:22,840 --> 00:53:27,620 You sleep with him without desiring him, but make him believe you do? 443 00:53:30,360 --> 00:53:32,200 I didn't say that. 444 00:53:32,660 --> 00:53:35,020 Why don't you say what you mean? 445 00:53:35,140 --> 00:53:38,080 Don't you realize all this time you've been deceiving him? 446 00:53:38,080 --> 00:53:40,960 Because if you show you don't feel anything for him, 447 00:53:41,020 --> 00:53:42,760 much less desire, 448 00:53:42,880 --> 00:53:47,040 if some day he discovers it was an enormous sacrifice 449 00:53:47,120 --> 00:53:49,040 to honour his tenderness, 450 00:53:49,260 --> 00:53:53,120 the poor unhappy man will never sleep with you again. 451 00:53:55,860 --> 00:53:59,380 Mar�a, how can you continue that lie? 452 00:54:00,640 --> 00:54:04,180 You lie to him about your feelings and also give him your body? 453 00:54:04,280 --> 00:54:08,200 But why? You're able to perfectly imitate an orgasm! 454 00:54:11,320 --> 00:54:12,840 You're very cruel. 455 00:54:13,840 --> 00:54:17,520 Cruel or not, it doesn't matter now. 456 00:54:17,760 --> 00:54:23,060 I want the truth. And the truth is that you've deceived your husband for years. 457 00:54:23,140 --> 00:54:27,620 If you're capable of feigning pleasure with him, how do I know you're not with me? 458 00:54:27,700 --> 00:54:31,920 How do I know you're not deceiving me, if you're capable of deceiving a blind man! 459 00:55:05,040 --> 00:55:06,380 Mar�a. 460 00:55:07,480 --> 00:55:08,740 Open the door. 461 00:55:12,420 --> 00:55:13,720 Mar�a. 462 00:55:28,520 --> 00:55:30,120 Oh no... 463 00:55:31,360 --> 00:55:32,640 Don't go. 464 00:55:37,480 --> 00:55:38,600 Let's talk. 465 00:55:39,220 --> 00:55:41,340 Let's see if we can... 466 00:55:43,720 --> 00:55:46,720 What happened is... sometimes... 467 00:55:55,940 --> 00:55:57,460 I don't want you to go. 468 00:55:58,400 --> 00:55:59,620 Don't go. 469 00:56:07,280 --> 00:56:08,340 No... 470 00:56:17,260 --> 00:56:19,120 Don't go, please. 471 00:56:22,360 --> 00:56:24,840 I didn't mean to offend you. 472 00:56:30,140 --> 00:56:31,360 I don't hold grudges. 473 00:56:32,120 --> 00:56:36,820 I don't want you to go. I want you to stay with me. 474 00:56:52,920 --> 00:56:56,640 This time, I felt that something had ruptured between us. 475 00:57:30,680 --> 00:57:33,620 Gin, please. - Right away, sir. 476 00:57:35,300 --> 00:57:36,680 Serve it there. 477 00:57:46,640 --> 00:57:49,140 No, leave the bottle. 478 00:58:07,840 --> 00:58:10,620 Can I use the phone? - Of course, sir. 479 00:58:19,140 --> 00:58:20,240 Hello? 480 00:58:21,260 --> 00:58:24,400 Excuse me, can you put on Miss Iribarne? 481 00:58:24,400 --> 00:58:27,880 She's not in. She went out at 4 and hasn't returned. 482 00:58:28,000 --> 00:58:30,080 Oh, okay. Thank you. 483 00:59:25,220 --> 00:59:28,040 Hello? Yes, she's back. 484 00:59:29,100 --> 00:59:34,020 But she's resting and gave strict orders not to disturb her. 485 00:59:34,680 --> 00:59:36,340 I'm sorry, Mr. Castel. 486 00:59:36,580 --> 00:59:38,820 She asked not to be disturbed by anyone. 487 00:59:49,300 --> 00:59:52,400 The dirty water below me was a constant temptation. 488 00:59:52,640 --> 00:59:54,380 Why go on suffering? 489 00:59:54,500 --> 00:59:57,660 The seduction of suicide is in its easy annihilation. 490 00:59:57,660 --> 01:00:01,860 In a second, this absurd universe collapses like a simulacrum. 491 01:00:02,100 --> 01:00:06,380 Life seems like a long nightmare from which one can be freed through death. 492 01:00:06,500 --> 01:00:10,940 What would be like a kind of awakening, but an awakening here. 493 01:00:11,460 --> 01:00:15,120 The hesitation to throw myself into absolute and eternal nothingness 494 01:00:15,200 --> 01:00:19,400 has put a stop to all my contemplations of suicide. 495 01:01:13,360 --> 01:01:14,540 Hello? 496 01:01:14,780 --> 01:01:19,320 Miss Iribarne, please. - She's not in. She went to the country house. 497 01:01:28,840 --> 01:01:33,080 I wrote various letters without receiving a response. 498 01:01:33,980 --> 01:01:38,580 Until finally I decided to tell her what happened the day we separated. 499 01:01:39,220 --> 01:01:42,140 I didn't leave out confessing the temptation to suicide. 500 01:01:43,420 --> 01:01:46,900 I was embarrassed to use this as a weapon, but I did. 501 01:01:48,060 --> 01:01:51,480 While writing, I felt pity for myself. 502 01:01:52,180 --> 01:01:57,960 I hoped Mar�a would feel something similar reading the letter 503 01:01:58,400 --> 01:02:00,100 And that made me happy. 504 01:02:02,140 --> 01:02:07,060 When I sent the certified letter, I felt downright optimistic. 505 01:02:11,120 --> 01:02:16,200 I received a tender letter from Mar�a. She was waiting for me at the country house. 506 01:02:39,020 --> 01:02:41,480 Mar�a wasn't waiting for me. 507 01:02:43,660 --> 01:02:45,580 Are you Mr. Castel? 508 01:02:48,980 --> 01:02:50,700 No, I'm not Castel. 509 01:03:04,800 --> 01:03:06,120 Excuse me. 510 01:03:06,120 --> 01:03:08,900 - What do you want? - When's the next train to Buenos Aires? 511 01:03:09,000 --> 01:03:10,640 It just left, sir. 512 01:03:10,780 --> 01:03:11,580 It's that one. 513 01:03:11,640 --> 01:03:15,880 - It's returning to Buenos Aires? - The same train goes back and forth. 514 01:03:15,960 --> 01:03:20,160 - When's the next one? - Tomorrow at 6, the same time. 515 01:03:20,940 --> 01:03:21,880 Oh. 516 01:03:25,540 --> 01:03:27,240 He said that it wasn't him. 517 01:03:28,720 --> 01:03:30,360 Yes, I'm Castel. 518 01:04:07,240 --> 01:04:09,940 I'm Hunter, Allende's cousin. 519 01:04:11,140 --> 01:04:14,120 It's nice to meet you, Mr. Castel. - Likewise. 520 01:04:29,620 --> 01:04:33,100 Mimi Allende, my cousin. - How do you do? 521 01:04:34,540 --> 01:04:35,900 A pleasure. 522 01:04:37,320 --> 01:04:40,900 Mar�a has been feeling unwell. 523 01:04:41,240 --> 01:04:43,720 But I think she will be down soon. 524 01:04:44,220 --> 01:04:46,780 Mr. Castel is a magnificent painter. 525 01:04:46,900 --> 01:04:49,640 Ah, so you are that Castel? 526 01:04:49,940 --> 01:04:51,180 Yes. 527 01:05:05,100 --> 01:05:08,160 This was my grandfather's room. Now it's mine. 528 01:05:23,800 --> 01:05:25,340 This is your room. 529 01:05:27,220 --> 01:05:30,640 We'll wait for you downstairs to have tea. - Thank you. 530 01:05:34,880 --> 01:05:39,340 I asked you a while ago what painters you liked, didn't I? 531 01:05:39,800 --> 01:05:41,520 Tea, please. 532 01:05:41,760 --> 01:05:45,780 Well, I don't know. Van Gogh, El Greco... 533 01:05:45,940 --> 01:05:50,360 Two, thank you. Uh... Caravaggio. 534 01:05:51,300 --> 01:05:54,860 Well, those great painters bore me. 535 01:05:56,140 --> 01:05:58,440 Of course, you're on the side of humility. 536 01:05:58,520 --> 01:06:00,660 No, ce n'est pas �a. 537 01:06:00,920 --> 01:06:06,260 But painters like Michelangelo, El Greco... 538 01:06:06,420 --> 01:06:08,360 put me on edge. 539 01:06:08,860 --> 01:06:11,460 All that drama, et grandeur. 540 01:06:11,580 --> 01:06:14,320 So aggressive. Don't you think it borders on bad taste? 541 01:06:14,440 --> 01:06:15,520 Pardon me? 542 01:06:17,100 --> 01:06:19,060 I'm glad you think like I do. 543 01:06:23,600 --> 01:06:29,940 I think the artist should try not to call attention to himself. 544 01:06:30,040 --> 01:06:35,980 Don't you think claiming to be so original only shows that others are not? 545 01:06:36,160 --> 01:06:37,760 Don't you think? 546 01:06:38,700 --> 01:06:40,480 Well, sure. 547 01:06:41,780 --> 01:06:46,800 If I wrote or painted, they would be things that didn't draw attention. 548 01:06:46,960 --> 01:06:49,880 I don't doubt it. For example... 549 01:06:50,020 --> 01:06:53,420 I'm sure you wouldn't write The Brothers Karamazov. 550 01:06:53,420 --> 01:06:55,200 Quelle horreur! 551 01:06:55,380 --> 01:06:58,460 I confess that I've never been able to finish a Russian novel. 552 01:06:58,480 --> 01:07:00,320 They're too complicated... 553 01:07:01,140 --> 01:07:03,900 These people are frivolous, superficial. 554 01:07:03,900 --> 01:07:07,860 Mar�a could only feel lonely in their company. 555 01:07:07,960 --> 01:07:11,880 People like this couldn't be rivals. - Non, sans blague! 556 01:07:12,040 --> 01:07:16,860 A chiromancer from Mar del Plata, an extraordinary seer. 557 01:07:16,980 --> 01:07:23,740 She took her job very seriously. Her husband is a professor of engineering. 558 01:07:24,160 --> 01:07:26,080 Are you interested in telepathy? 559 01:07:36,560 --> 01:07:39,360 Hello, Mimi. No, don't get up. 560 01:07:39,660 --> 01:07:40,860 Juan Pablo... 561 01:07:42,340 --> 01:07:44,120 Did you bring your sketches? 562 01:07:45,400 --> 01:07:46,880 What sketches? 563 01:07:47,540 --> 01:07:49,960 The ones you mentioned in your letter. 564 01:07:53,180 --> 01:07:55,100 The drawings of the port. 565 01:07:56,120 --> 01:07:58,480 Yes, they're in my room. 566 01:07:59,060 --> 01:08:00,080 May I see them? 567 01:08:00,240 --> 01:08:03,240 I'll go get them. - I'll come with you. We'll be right back. 568 01:08:47,820 --> 01:08:51,440 The big window in the middle is Hunter's room. 569 01:08:51,740 --> 01:08:55,160 The second from the left is mine. Yours is between them? 570 01:08:55,160 --> 01:08:59,620 Juan Pablo, don't look back. Let's go to my window, to our window. 571 01:09:53,780 --> 01:09:57,620 If you knew how often I dreamed of leaving with you. 572 01:09:57,940 --> 01:10:00,400 The sea, that day. 573 01:10:01,880 --> 01:10:05,000 Sometimes I think we've always lived in this scene... 574 01:10:05,300 --> 01:10:07,900 together forever. 575 01:10:12,180 --> 01:10:15,720 When I saw that woman alone by the window in your painting... 576 01:10:16,720 --> 01:10:18,580 I felt that you were like me. 577 01:10:19,340 --> 01:10:22,420 And that you'd also search blindly for someone. 578 01:10:22,740 --> 01:10:25,340 A kind of mute interlocutor. 579 01:10:28,380 --> 01:10:32,000 Since that day, I've thought constantly of you. 580 01:10:34,400 --> 01:10:37,860 I dreamed about you many times in this place, 581 01:10:38,480 --> 01:10:41,140 where I've spent so much of my life. 582 01:10:43,400 --> 01:10:47,080 One day, I even felt like finding you and confessing it. 583 01:10:47,540 --> 01:10:49,220 Why didn't you? 584 01:10:49,400 --> 01:10:51,440 I was afraid of making a mistake. 585 01:10:52,480 --> 01:10:54,980 I've been mistaken once before. 586 01:10:55,300 --> 01:10:58,560 Mistaken? When? With whom? 587 01:10:58,800 --> 01:11:00,920 Richard? Allende? 588 01:11:01,400 --> 01:11:03,880 I hoped you were looking for me. 589 01:11:04,580 --> 01:11:07,140 You knew who I was and how to find me. 590 01:11:09,100 --> 01:11:14,320 I was looking for you desperately. But I didn't know where to find you. 591 01:11:14,840 --> 01:11:17,140 I really wanted to help you. 592 01:11:17,920 --> 01:11:21,640 I wanted you. I called out to you every night. 593 01:11:22,980 --> 01:11:25,660 I became so sure I'd find you... 594 01:11:25,920 --> 01:11:29,500 that when it happened, absurdly at the metro entrance, 595 01:11:30,700 --> 01:11:33,120 I was paralyzed by fear. 596 01:11:33,640 --> 01:11:36,060 and made a fool of myself. 597 01:11:37,420 --> 01:11:39,240 So when you went off, 598 01:11:39,560 --> 01:11:42,380 hurt that you thought you were mistaken, 599 01:11:42,840 --> 01:11:45,280 I ran from you like mad. 600 01:11:45,540 --> 01:11:49,280 I felt that this magical moment would never happen again. 601 01:11:49,480 --> 01:11:50,720 Never again. 602 01:11:50,960 --> 01:11:55,020 Make this memory last together. Die together. 603 01:11:55,460 --> 01:12:01,220 I felt dizzy and thought how easy it'd be to drag her into the abyss with me. 604 01:12:01,440 --> 01:12:05,680 Suddenly, I realized she was talking about her childhood, or cousin, or something. 605 01:12:05,860 --> 01:12:08,320 Cruel, agonizing incidents. 606 01:12:08,460 --> 01:12:13,500 I'm capable of despicable things, but her... Despicable... how? 607 01:12:14,860 --> 01:12:18,880 In my life, as in yours, there are shameful things. 608 01:12:21,820 --> 01:12:25,000 Horrible, cruel acts. 609 01:12:25,960 --> 01:12:30,600 Then I realized that Mar�a had confessed everything in her life 610 01:12:30,940 --> 01:12:36,240 and I, stupidly, hadn't heard any of it. 611 01:13:00,540 --> 01:13:03,120 Whisky? - Yes, of course. 612 01:13:26,120 --> 01:13:28,000 Did the veterinarian come? 613 01:13:28,440 --> 01:13:29,500 No. 614 01:13:30,200 --> 01:13:31,580 He'll come tomorrow. 615 01:13:31,640 --> 01:13:34,700 My horse is limping. I haven't been able to ride him. 616 01:13:34,880 --> 01:13:36,780 Did you like the sketches? 617 01:13:37,420 --> 01:13:39,920 What sketches? - The ones of the port. 618 01:13:41,580 --> 01:13:44,100 Oh, yes. I liked them a lot. 619 01:13:47,500 --> 01:13:52,040 I really believe what I said to Mimi. You're a great painter. 620 01:13:54,940 --> 01:13:59,820 What's the word critics use to describe your paintings? 621 01:14:00,640 --> 01:14:02,560 Architectural. 622 01:14:03,920 --> 01:14:06,800 That's it, architectural. 623 01:14:06,920 --> 01:14:09,700 Maybe that's why I'm interested in your paintings. 624 01:14:09,860 --> 01:14:12,800 I'm an architect. Did you know that? 625 01:14:13,240 --> 01:14:14,520 Yes, I know. 626 01:14:15,080 --> 01:14:17,760 That's why I appreciate your opinion. 627 01:14:19,560 --> 01:14:21,940 You don't spend much time at your art. 628 01:14:22,380 --> 01:14:28,420 I think you should paint more. A lot of us expect great things from you. 629 01:14:32,200 --> 01:14:35,900 Tomorrow you'll paint, right? - You weren't painting today? 630 01:14:36,340 --> 01:14:38,780 No, we went to the cliff. 631 01:14:43,840 --> 01:14:46,860 I'm... a little tired. 632 01:14:48,580 --> 01:14:51,100 Forgive my not staying for dinner. 633 01:14:52,860 --> 01:14:56,400 If you need anything during the night, ring the service bell. 634 01:14:58,440 --> 01:14:59,620 Thank you. 635 01:15:12,000 --> 01:15:13,260 Good night. 636 01:15:14,420 --> 01:15:15,600 What are you doing? 637 01:15:16,520 --> 01:15:20,860 I came to be with you. I want to be with you. 638 01:15:23,040 --> 01:15:26,460 I'll wait for you upstairs. In my room. 639 01:17:05,560 --> 01:17:06,640 You're not coming. 640 01:17:07,400 --> 01:17:09,360 Why did you leave me alone, Mar�a? 641 01:17:09,780 --> 01:17:11,560 Why did you make me come here? 642 01:17:11,820 --> 01:17:14,420 Come to me, Mar�a. Come. 643 01:17:17,520 --> 01:17:21,780 Isn't it reasonable to conclude there is something between Mar�a and Hunter? 644 01:17:22,220 --> 01:17:26,660 On the clifftop, when she told me her weaknesses, what did she mean? 645 01:17:28,080 --> 01:17:29,400 It's obvious. 646 01:17:29,680 --> 01:17:33,540 In her life, there are dark and shameful things, like in mine. 647 01:17:45,920 --> 01:17:48,380 She's Hunter's lover. 648 01:17:52,280 --> 01:17:54,400 She's Hunter's lover. 649 01:18:12,940 --> 01:18:15,900 Tell Miss Iribarne I had to return to Buenos Aires. 650 01:18:15,980 --> 01:18:19,800 - Yes, sir. I'll wake up the chauffer. - No, I'll take the train. 651 01:18:19,900 --> 01:18:25,280 - But the train doesn't leave until 6 p.m. - I know, I'll wait at the station. 652 01:18:25,460 --> 01:18:27,500 Tell her I've been obligated to leave. 653 01:18:27,540 --> 01:18:30,340 It's best to have the chauffeur take you to the station. 654 01:18:30,380 --> 01:18:34,300 No, I'll walk. Tell Mar�a I had to go. 655 01:18:34,540 --> 01:18:36,420 - Yes, sir. - Thank you. 656 01:18:36,500 --> 01:18:37,880 No problem, sir. 657 01:19:06,520 --> 01:19:09,960 For hours, I didn't stop hoping Mar�a would come. 658 01:19:10,700 --> 01:19:12,360 But Mar�a didn't come. 659 01:19:28,540 --> 01:19:30,620 Thank you. - No problem. 660 01:19:48,780 --> 01:19:52,140 Sir, you're going to miss your train. 661 01:20:26,260 --> 01:20:27,980 Let go of me. 662 01:20:34,480 --> 01:20:36,500 Get off me. 663 01:20:57,760 --> 01:21:00,540 Hey, what are you thinking? Are you crazy? 664 01:21:00,740 --> 01:21:02,900 - Leave me alone. - Get out! 665 01:21:02,900 --> 01:21:05,700 You have to pay for what you broke. 666 01:21:06,700 --> 01:21:08,760 Get out of here. 667 01:21:44,760 --> 01:21:49,520 It was a very cruel letter, accusing her of sleeping with Hunter. 668 01:21:53,080 --> 01:21:55,900 As I left the post office, I realized two things. 669 01:21:56,020 --> 01:22:00,180 I hadn't said in the letter why I thought she was Hunter's lover. 670 01:22:00,340 --> 01:22:03,680 and what purpose it would serve to hurt her so ruthlessly. 671 01:22:04,640 --> 01:22:08,040 At the bottom of my soul, I only wanted Maria to come back to me. 672 01:22:08,700 --> 01:22:11,700 Why hadn't I said that directly? 673 01:22:11,820 --> 01:22:16,160 Explaining I'd left the country house because I was jealous of Hunter. 674 01:22:16,960 --> 01:22:21,020 In reality, my conclusion that she was Hunter's lover, 675 01:22:21,120 --> 01:22:24,500 besides cruel, was completely unwarranted. 676 01:22:25,140 --> 01:22:26,520 What had I done? 677 01:22:26,880 --> 01:22:31,520 I'd destroyed what remained of our love and would remain alone. 678 01:22:31,820 --> 01:22:36,520 Why had I been so cruel when I wanted to be the exact opposite? 679 01:22:51,980 --> 01:22:55,260 Excuse me, do you remember me? 680 01:22:55,880 --> 01:23:00,820 A moment ago I gave you a certified letter to the Omb�es Estate. 681 01:23:00,980 --> 01:23:04,980 And what do you want to do? - Well... I've lost the receipt. 682 01:23:05,080 --> 01:23:08,960 I need the letter back, but I've lost the receipt. 683 01:23:09,120 --> 01:23:12,620 You want the letter back and you don't have the receipt? 684 01:23:12,780 --> 01:23:15,080 Yes, that's right. 685 01:23:15,820 --> 01:23:19,940 I lost the piece of paper. - I can't. It's not possible. 686 01:23:20,180 --> 01:23:22,420 But I can show you my papers. 687 01:23:22,700 --> 01:23:25,160 There's nothing I can do. Those are the rules. 688 01:23:25,960 --> 01:23:29,040 Hold on. That makes no sense. 689 01:23:29,260 --> 01:23:32,800 I just gave you a letter. If I give you a letter, 690 01:23:32,800 --> 01:23:37,100 and afterwards decide not to send it, the post office can't seize it. 691 01:23:37,340 --> 01:23:41,180 As if to say, "It's ours now, and we won't give it back." 692 01:23:41,300 --> 01:23:44,940 It might make sense if it'd been a few days, but I just gave it to you. 693 01:23:44,940 --> 01:23:47,120 How hard is it to say okay, and give it back. 694 01:23:47,220 --> 01:23:51,380 Do you know the rules? - Yes, I know the rules, ma'am! 695 01:23:51,460 --> 01:23:55,500 Maybe there's a special regulation that forces you to send mistaken letters? 696 01:23:55,500 --> 01:23:58,260 You can't make me send a letter I don't want to send! 697 01:23:58,340 --> 01:24:02,120 You wanted to send it. - But now I don't, understand? 698 01:24:02,240 --> 01:24:06,240 That's why I'm here! Because I changed my mind! 699 01:24:06,400 --> 01:24:10,120 Don't shout at me. I don't have to put up with that. 700 01:24:10,600 --> 01:24:15,320 Besides, it's too late. - It's not, it's in that pile. I can see it. 701 01:24:15,320 --> 01:24:17,700 Excuse me, how long can this go on? 702 01:24:17,700 --> 01:24:19,220 Give him back the letter. 703 01:24:19,220 --> 01:24:23,540 Please, I have my I.D. card and can prove I'm the one who posted the letter. 704 01:24:24,920 --> 01:24:26,400 I can't do that. 705 01:24:26,960 --> 01:24:28,740 It's not possible. 706 01:24:29,100 --> 01:24:31,180 Call your boss then. 707 01:24:31,320 --> 01:24:36,340 I can't. Don't you see them waiting? - I'm waiting too! 708 01:24:36,680 --> 01:24:39,860 I'm waiting! I'm in line with them! 709 01:24:39,860 --> 01:24:42,620 What do you think I'm doing? You should attend to me! 710 01:24:42,620 --> 01:24:44,620 It's your job! 711 01:24:44,760 --> 01:24:48,380 Don't shout at me! I'm not deaf! 712 01:24:50,940 --> 01:24:53,700 I'll tell her I love her. I'll call her... 713 01:24:54,100 --> 01:24:56,000 and tell her I love her. 714 01:24:56,200 --> 01:25:00,880 And we'll forget everything that's driving us crazy. 715 01:25:01,400 --> 01:25:06,140 She'll forgive me. Nothing matters to me but you. 716 01:25:06,360 --> 01:25:10,660 Hello, operator? I want to place a call to the Omb�es Estate. 717 01:25:10,800 --> 01:25:13,060 Please, it's very urgent. 718 01:25:13,540 --> 01:25:15,580 Yes, the Allende Estate. 719 01:25:16,720 --> 01:25:19,640 Yes, please hurry. 720 01:25:20,760 --> 01:25:23,080 Very well, I'll wait. Thank you. 721 01:25:35,540 --> 01:25:37,540 Hello? - Your call, sir, 722 01:25:37,760 --> 01:25:42,320 - What call? - To the Omb�es Estate. Hold on. 723 01:25:43,380 --> 01:25:46,140 Mar�a? - Who's calling? 724 01:25:46,580 --> 01:25:49,360 Juan Pablo Castel. - I'll see if she's in. 725 01:25:50,180 --> 01:25:51,600 Hello? 726 01:25:53,000 --> 01:25:56,480 Mar�a? It's me, Juan Pablo. 727 01:25:57,180 --> 01:25:59,620 Mar�a, are you there? 728 01:26:01,920 --> 01:26:03,720 Mar�a, listen... 729 01:26:03,920 --> 01:26:10,440 I wrote you a letter explaining why I left the country house so suddenly, 730 01:26:10,720 --> 01:26:12,360 without saying goodbye. 731 01:26:12,620 --> 01:26:15,900 I wanted to ask you... - A letter? I haven't received it. 732 01:26:16,020 --> 01:26:21,760 Please don't interrupt. You haven't received it because I just sent it, understand? 733 01:26:21,940 --> 01:26:24,140 - No, not at all. - Hold on. 734 01:26:25,000 --> 01:26:26,900 Hold on a moment. It's very simple. 735 01:26:26,900 --> 01:26:30,620 I just sent it and that's why you haven't received it. Understand now? 736 01:26:30,620 --> 01:26:33,840 Yes, I'll read it when I receive it. - No, wait. 737 01:26:34,040 --> 01:26:39,400 Mar�a, I'm calling to tell you not to read that letter. 738 01:26:39,620 --> 01:26:43,780 Don't read it. Burn it, but don't read it. 739 01:26:43,940 --> 01:26:46,280 Do you hear me? - Yes, Juan Pablo. 740 01:26:46,800 --> 01:26:50,520 Please, don't say "Yes, Juan Pablo." 741 01:26:50,740 --> 01:26:53,560 Say something. Don't you care what it says? 742 01:26:53,560 --> 01:26:58,080 Didn't you wonder why I left the country house? Why I found it so unbearable? 743 01:26:58,360 --> 01:26:59,420 Yes. 744 01:26:59,580 --> 01:27:00,860 Yes, what? 745 01:27:01,120 --> 01:27:05,060 Don't tell me yes like I'm a child! What I want you to tell me, 746 01:27:05,060 --> 01:27:08,320 is whether you wondered or not! - Yes, Juan Pablo. 747 01:27:08,360 --> 01:27:11,180 What was your conclusion? What questions do you have? 748 01:27:11,180 --> 01:27:14,360 Why you abandoned me, for example. - I didn't abandon you. That was you. 749 01:27:14,460 --> 01:27:15,500 Me? 750 01:27:16,960 --> 01:27:20,720 Listen, how was it me? It wasn't me, it was you! 751 01:27:21,040 --> 01:27:24,360 You, with your falsehoods, your clever theatrics, 752 01:27:24,420 --> 01:27:28,360 your lies, your unconcern for my pain and solitude. 753 01:27:28,460 --> 01:27:31,640 How do you respond to that, Mar�a? 754 01:27:32,060 --> 01:27:33,940 I don't know what to say to you. 755 01:27:34,140 --> 01:27:35,380 Tell me... 756 01:27:39,640 --> 01:27:40,840 Tell me... 757 01:27:41,740 --> 01:27:43,220 that you love me. 758 01:27:46,020 --> 01:27:47,480 That you need me. 759 01:27:48,680 --> 01:27:51,080 Like I need you. 760 01:27:51,760 --> 01:27:53,640 I want you to come here. 761 01:27:53,860 --> 01:27:56,240 Now. I have to see you. 762 01:27:57,200 --> 01:28:00,420 Please. Come to Buenos Aires. 763 01:28:01,740 --> 01:28:04,480 To my house. I want to be with you. 764 01:28:05,120 --> 01:28:06,560 Mar�a. 765 01:28:08,180 --> 01:28:10,020 Say something. 766 01:28:11,540 --> 01:28:13,280 I can't now. 767 01:28:15,020 --> 01:28:16,260 Why? 768 01:28:17,640 --> 01:28:18,680 Why not? 769 01:28:19,660 --> 01:28:22,560 Ah, I know why. 770 01:28:23,100 --> 01:28:24,660 Of course. 771 01:28:25,680 --> 01:28:28,060 Yes, I understand. 772 01:28:29,740 --> 01:28:35,860 People are listening. - There's no one. You're making me nervous. 773 01:28:36,640 --> 01:28:39,760 I'm fine. Don't worry about me. 774 01:28:39,940 --> 01:28:45,100 If I'm nervous, it's simply because you understand nothing. 775 01:28:45,240 --> 01:28:48,940 You don't respect anything. You don't give anything. 776 01:28:50,100 --> 01:28:53,200 Only lies and egoism. 777 01:28:55,880 --> 01:28:58,620 Do me a favour and read the letter. 778 01:28:58,880 --> 01:29:01,700 Read it. Don't burn it. 779 01:29:02,180 --> 01:29:04,160 Because it's the truth. 780 01:29:04,940 --> 01:29:06,440 And you deserve it. 781 01:29:07,320 --> 01:29:09,880 Read it, and pay attention. 782 01:29:10,380 --> 01:29:12,480 Mar�a, are you there? 783 01:29:14,360 --> 01:29:15,620 Yes. 784 01:29:17,880 --> 01:29:19,020 Mar�a. 785 01:29:21,980 --> 01:29:26,040 If... if you don't come to Buenos Aires, 786 01:29:27,720 --> 01:29:30,660 I think I'm going to kill myself. 787 01:29:37,060 --> 01:29:40,140 I swear, I'm going to kill myself. 788 01:29:42,000 --> 01:29:43,540 Do you hear me? 789 01:29:48,260 --> 01:29:49,560 All right, I'll go. 790 01:29:50,720 --> 01:29:53,100 When? - As soon as I can. 791 01:29:54,120 --> 01:29:58,200 When will that be? What do you have to do there? 792 01:29:58,420 --> 01:30:01,000 Come tomorrow. - Tomorrow. 793 01:30:02,320 --> 01:30:04,920 Promise? Do you promise? 794 01:30:05,080 --> 01:30:07,320 Yes, even though I don't know why. 795 01:30:07,480 --> 01:30:10,700 We'll just end up hurting ourselves. 796 01:30:11,300 --> 01:30:12,700 Listen. 797 01:30:13,240 --> 01:30:17,360 Mar�a, I want... you to know something. 798 01:30:17,640 --> 01:30:21,980 If you don't come to Buenos Aires tomorrow, 799 01:30:23,660 --> 01:30:27,320 I'll call your house, and if you're not in, 800 01:30:27,720 --> 01:30:30,800 I swear I'll kill myself. 801 01:30:31,460 --> 01:30:34,560 So, think on it... 802 01:30:35,920 --> 01:30:37,560 before... 803 01:30:38,680 --> 01:30:41,340 making a decision. 804 01:30:55,560 --> 01:30:57,260 I'll kill myself. 805 01:30:59,300 --> 01:31:00,600 You'll see. 806 01:31:35,200 --> 01:31:38,300 What is this strange painting? 807 01:32:06,600 --> 01:32:08,720 What's that? Hey! 808 01:32:09,440 --> 01:32:14,140 What do you think you're doing? Do you think I'm going to believe it? 809 01:32:17,800 --> 01:32:20,240 She is the whore. 810 01:32:20,580 --> 01:32:23,000 She's a whore. 811 01:32:23,180 --> 01:32:25,360 Puts on the same face. 812 01:32:25,560 --> 01:32:27,220 She pretends like a whore. 813 01:32:27,320 --> 01:32:29,380 Ah! Enough! 814 01:32:30,400 --> 01:32:32,240 Out! 815 01:32:37,080 --> 01:32:39,680 Get out of here! Out! 816 01:32:57,260 --> 01:33:00,340 It's Juan Pablo Castel. Could I speak with Mrs. Allende? 817 01:33:00,460 --> 01:33:03,100 One moment, please. Don't hang up. 818 01:33:16,460 --> 01:33:19,560 Yes? - Mar�a, it's Juan Pablo. 819 01:33:19,820 --> 01:33:24,080 I have to see you right away, in Recoleta. At 5. 820 01:33:27,000 --> 01:33:28,280 Very well. 821 01:33:28,940 --> 01:33:31,660 Though I don't know what we'll get out of it. 822 01:33:32,020 --> 01:33:34,660 Many things. 823 01:33:35,900 --> 01:33:39,640 Do you really believe that? - I'm sure of it. 824 01:33:41,380 --> 01:33:45,020 We'll only destroy more the weak bridges that connects us. 825 01:33:46,040 --> 01:33:48,020 We'll continue hurting each other. 826 01:33:52,360 --> 01:33:57,540 I came because you begged, but I should've stayed at the country house. Hunter is sick. 827 01:33:57,680 --> 01:34:01,040 Ah, of course. Hunter is sick. 828 01:34:01,200 --> 01:34:04,660 I see that this country house is dangerous for one's health. 829 01:34:04,820 --> 01:34:09,160 You all get sick very conveniently. 830 01:34:10,040 --> 01:34:11,480 In any case, 831 01:34:12,080 --> 01:34:16,140 thank you for coming and the sacrifice you made. We'll meet at 5. 832 01:34:17,960 --> 01:34:19,420 Okay. 833 01:34:37,720 --> 01:34:38,800 Hello? 834 01:34:40,460 --> 01:34:42,660 She went to the country house. 835 01:34:42,840 --> 01:34:46,980 But she was supposed to meet me in Recoleta at 5! 836 01:34:47,120 --> 01:34:48,360 Pardon me? 837 01:34:48,500 --> 01:34:53,540 Don't you understand? She was supposed to meet me at 5! 838 01:34:53,620 --> 01:34:55,680 I don't know anything, sir. 839 01:34:56,060 --> 01:34:57,300 Please. 840 01:34:57,480 --> 01:35:01,040 I know she's there. Let me talk to her. Please, I need to talk to her. 841 01:35:01,100 --> 01:35:02,560 I told you she left. 842 01:35:33,380 --> 01:35:34,620 Hello? 843 01:35:34,740 --> 01:35:38,900 It's... Juan Pablo Castel again. 844 01:35:39,100 --> 01:35:43,700 Sorry for the confusion. Maybe you could help me? 845 01:35:44,080 --> 01:35:50,160 Did Miss Iribarne receive a call from the country house before leaving? 846 01:35:50,280 --> 01:35:53,400 Uh, yes. - Ah, okay. 847 01:35:55,220 --> 01:35:59,100 From her cousin Hunter. - Yes. 848 01:40:25,120 --> 01:40:26,900 Hunter, sick... 849 01:40:26,900 --> 01:40:29,880 She said she mustn't leave Hunter because he is sick. 850 01:40:29,880 --> 01:40:32,580 Lies, all lies. 851 01:40:32,580 --> 01:40:36,560 Even though she knew I needed her. That I had expected her that afternoon. 852 01:40:36,560 --> 01:40:40,460 That I'd suffered horribly every minute of hopeless waiting. 853 01:40:40,560 --> 01:40:46,360 How ruthless, how cold. How filthy the heart of a woman can be. 854 01:41:37,820 --> 01:41:40,100 That's Hunter's room. 855 01:41:40,100 --> 01:41:43,780 Now turn on the light in the other room. Yours, Mar�a. 856 01:41:43,900 --> 01:41:46,620 Turn it on, I beg you. 857 01:41:46,720 --> 01:41:50,500 Don't stay in Hunter's room. 858 01:44:27,240 --> 01:44:29,540 What are you going to do, Juan Pablo? 859 01:44:44,580 --> 01:44:46,800 I have to kill you, Mar�a. 860 01:44:46,920 --> 01:44:48,860 You left me alone. 861 01:45:11,420 --> 01:45:12,820 Allende! 862 01:45:14,800 --> 01:45:16,400 Allende! 863 01:45:22,560 --> 01:45:23,960 Allende! 864 01:45:25,500 --> 01:45:26,940 Allende! 865 01:45:29,420 --> 01:45:30,860 Allende! 866 01:45:31,760 --> 01:45:33,020 Allende... 867 01:45:33,900 --> 01:45:35,780 Out! 868 01:45:40,120 --> 01:45:42,300 I've come from the country house, Allende. 869 01:45:42,540 --> 01:45:44,680 Mar�a is Hunter's lover. 870 01:45:44,780 --> 01:45:47,900 Did you know that? - Imbecile! 871 01:45:48,000 --> 01:45:49,360 What? 872 01:45:50,100 --> 01:45:52,700 You're going to learn something, old man. 873 01:45:53,020 --> 01:45:54,460 Your wife... 874 01:45:54,600 --> 01:45:58,740 was also my lover. Yes! And the lover of many others. 875 01:45:58,740 --> 01:46:02,400 You're the imbecile here! I betrayed you! 876 01:46:02,500 --> 01:46:06,680 And she betrayed us both! She deceived everyone! 877 01:46:06,780 --> 01:46:11,080 But now she'll never deceive anyone. Never again! Never again! 878 01:46:11,100 --> 01:46:13,740 Fool! Fool! 879 01:46:13,840 --> 01:46:16,100 Damn fool! 880 01:46:21,340 --> 01:46:23,400 Fool. 881 01:46:24,220 --> 01:46:29,280 In these months of confinement, I've often tried to understand the blind man's last word. 882 01:46:29,540 --> 01:46:31,520 The word 'fool.' 883 01:46:32,300 --> 01:46:37,000 A great weariness, or maybe an obscure instinct, always prevents me. 884 01:46:37,180 --> 01:46:44,600 Some day maybe I'll be able to. Then I'll also analyze Allende's motives for committing suicide. 885 01:46:44,820 --> 01:46:48,700 I feel like a black cavern is expanding inside my body. 886 01:46:48,980 --> 01:46:53,620 And so every day the walls of this hell will be tighter.